Born Birnbaum, Prussia
Died Berlin, Germany
Born in Birnbaum, in the then Prussian province of Posen, in 1861, Lesser Ury was initially apprenticed to a merchant before leaving to study painting, first in Düsseldorf and then in Brussels, Paris, Stuttgart and Munich; in Paris he developed a fascination with the modern metropolis and nocturnal urban life. He settled in Berlin in 1887, holding his first exhibition there in 1889. Despite a hostile reception, Ury was championed by the artist Adolph von Menzel and was subsequently awarded the Michael Beer prize by the Berlin Academy, which enabled him to visit Italy. In 1893 he joined the Munich Secession (a group of progressive artists), but returned to Berlin in 1901 and exhibited with the Berlin Secession in 1915 and 1922, when, during a display of 150 of his paintings, Uri was honoured as ‘the artistic glorifier of the capital’ by the mayor of Berlin.
Object type painting
Medium oil on canvas
Unframed 63.2 x 48.1 cm
Framed 81.3 x 66.3 cm
Signed and dated (lower left): 'L. Ury 1921'
Acquisition Bequest by Stephanie Ellen Kohn in memory of her parents Franz and Margarethe Kohn (nee Schotlander) and her brother Ludwig who perished in the Holocaust
Accession number 1990-7
Display status not on display
Set in the Charlottenburg district, this is one of Ury’s many Impressionistic Berlin street scenes, which are typically set either at night or in the rain. Framed by distinctive classical architecture and accentuated by vivid splashes of colour, the angular shapes of two fashionably dressed young women contrast strongly with the muted background and the horse-drawn carriages which evoke an earlier era. Our focus is cleverly drawn to the two women by the artist’s sparing use of red highlights within a mainly sombre palette – in the dress of one and the dash of lipstick of the other. Lesser Ury died in Berlin in 1931. Shortly afterwards a major memorial exhibition was held at the National Gallery and he is now regarded by critics as perhaps the first German artist to portray life in the modern city. As well as urban landscapes, he also explored Jewish subject matter in his art, although these works were less well received critically both during his lifetime and posthumously. This is one of four works by the artist in the Ben Uri Collection.